
On a song-by-song basis, Leavin' Town qualifies as my favorite Waylon Jennings album from the 1960s. There's not a bad track on here (indeed, every song is at least very good) if you like the kind of country music that I do. The "Folk Country" emblem to the right of the title on the album cover provides a more or less accurate description of the record's musical contents and was possibly an attempt by RCA to milk the commercial success of his like-titled debut for the label, which had been released earlier in 1966. In similar fashion to Waylon's other contemporary releases, the only issue with this LP is its brevity, with a total running time of just under a half-hour.

Even though Jennings was still being forced into a mold at this point in his career, one has to give credit to whoever was responsible for assembling this impeccable mix of material by other songwriters and the singer's own compositions and co-compositions. Intentional or not, several selections combine to make Leavin' Town something of a thematic affair since these pieces possess an air of, well, leaving about them. This is especially true on the first three songs in the lineup: the irresistibly twangy title track, the anthemic "Time to Bum Again" (another Harlan Howard gem), and an excellent interpretation of Delbert McClinton's timeless "If You Really Want Me to I'll Go." The firm-yet-sensitive "Baby, Don't Be Looking in My Mind" says everything that women should know about male psychology better than any relationship book on the New York Times best seller list ever could. Side one closes on a gentle note with the soothing "But That's Alright" and "Time Will Tell the Story," which Outlaw-era Jennings fans might find a bit to cloying for their tastes. To my ears, "You're Gonna Wonder About Me" best represents the "Folk Country" sound advertised on the LP sleeve. The Nashville treatment works well on Gordon Lightfoot's classic "For Lovin' Me," while the deliciously mellow "Anita, You're Dreaming" and "Falling for You" further explores Waylon's tender side. The moving "Doesn't Anybody Know My Name," which relates the story of a blinded veteran who experiences a rather bleak homecoming, gets my vote for the album's best performance. The closing track "I Wonder Just Where I Went Wrong" ends thing rather majestically due in large part to the piano and stately organ at the fore of the mix, which was an unusual arrangement in country music at the time.
1. Leavin' Town
2. Time to Bum Again
3. If You Really Want Me to I'll Go
4. Baby, Don't Be Looking in My Mind
5. But That's Alright
6. Time Will Tell the Story
7. You're Gonna Wonder About Me
8. For Lovin' Me
9. Anita, You're Dreaming
10. Doesn't Anybody Know My Name
11. Falling for You
12. I Wonder Just Where I Went Wrong







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Amazing how good taste spread (almost) everywhere in the 60's. It's hard to imagine Brad Paisley making something like this work. Thanks as always!
ReplyDelete@ Anonymous,
ReplyDeleteYou make a damn good point. It is indeed hard to imagine Brad Paisley (or just about any modern-day country musician for that matter) making something like this work.
RF
Having been a long time Outlaw-period Waylon fan, it's nice to discover that his pre-1970s work isn't as dreck-laden as often reported. At least this album is just fine, and my favorite tune "Anita, You're Dreaming" sounds very much like a country version of Bob Dylan's "To Ramona."
ReplyDelete@ Irving,
ReplyDeleteYep, there is no dreck to be found on this LP, and that's an astute observation about the similarities between "Anita" and "Ramona."
RF
thanks for this record, in the first song "leaving town" the guitar reminds me of the charlatans song number one.
ReplyDelete@ mick,
ReplyDeleteYou're very perceptive to have noticed that, and I absolutely agree since both songs feature a great deal of twangy fretwork. I'm pretty sure that Mike Wilhelm is playing a 12-string guitar on "Number One" (one of my favorite Charlatans songs, by the way), but I don't know who does the honors on "Leavin' Town." It could be Jennings himself or more likely a Nashville sessions musician.
RF
Thank you Record Fiend for these old Waylon Jennings tunes.
ReplyDeleteIt's strange but when i'am in your blog i feel i'm visiting an old friend to talk about good ol' music and listen to some rare and forgotten gems from the past.
Much obliged...
Giorgos from Greece
@ Giorgos,
ReplyDeleteYours is one of the nicest comments that anyone has ever written on this blog. I really appreciate you sharing your thoughts. If my writings put you in the same frame of mind as when you're hanging out with your record collector friends, then I feel like I'm doing a good thing here. And thank you for the feedback.
Regards,
RF