Sunday, September 11, 2011

Fred Neil - The Sky Is Falling: The Complete Live Recordings 1963-1971 (Rev-Ola, 2004)


The Sky Is Falling is a really good concept: Take Fred Neil's spottiest release, the part-live/part-half-baked-duets-with-other-musicians Other Side of This Life, and enhance it by including four rare live tracks that were originally featured on obscure mid-1960s Greenwich Village folk anthologies. The original album bore all the hallmarks of a contractual obligation by a performer who had long ago become disenchanted with the music industry. Nonetheless, an artist of Neil's caliber seems to have been incapable of making a record that was truly bad. The primary fault of Other Side of This Life is its patched-together feel. While those aforementioned bonus tracks don't make The Sky Is Falling any more of a cohesive product, they do present the listener with four more superb recordings of vintage Freddie Neil.

FRED NEIL WITH BUZZY LINHART (ON VIBES) ET AL.

This CD's first six tracks were recorded at a small club in Woodstock circa 1970 with old friend Monte Dunn on second guitar and consist of material that Neil had initially featured on his earlier albums for Elektra and Capitol. Put simply, this is post-Greenwich Village folk music at its finest. The next five selections, however, primarily sound like little more than demos. While there are some high points, these tracks all possess a pronounced unfinished feel and hardly qualify as essential. Luminaries such as Stephen Stills, Bruce Langhorne, Dino Valenti, Harvey Brooks, and Les McCann provide instrumental support to various degrees on "Come Back Baby," "Prettiest Train," "Felicity,"
"Ba-De-Da" and "Ya Don't Miss Your Water," with one-time partner Vince Martin and Gram Parsons respectively contributing vocals on the last two songs. Had these performances been more fully-realized, they could have been fantastic. As for the bonus tracks, "Linin' Track," "The Sky Is Falling" (a cousin of "Blues on the Ceiling" perhaps), "That's the Bag I'm In" (all originally included on the 1963 release Hootenanny: Live at the Bitter End), and "Raindrops" (an early version of "Yonder Come the Blues" that first appeared on A Rootin' Tootin' Hootenanny from the following year) are all extraordinary and further demonstrate Neil's ability to captivate an audience.

IN THE STUDIO WITH BRUCE "MR. TAMBOURINE
MAN" LANGHORNE AND OTHER ASSOCIATES


1. The Other Side of This Life

2. Roll on Rosie

3. The Dolphins

4. That's the Bag I'm In

5. Sweet Cocaine

6. Everybody's Talkin'

7. Come Back Baby

8. Ba-De-Da

9. Prettiest Train

10. Ya Don't Miss Your Water

11. Felicity

12. Linin' Track

13. The Sky Is Falling

14. That's the Bag I'm In

15. Raindrops Falling


ON THE STREETS OF GREENWICH VILLAGE
LOOKING LIKE
HE'S HOMESICK FOR FLORIDA

12 comments:

  1. cd rip
    16-bit, 44.1 kHz flac
    RapidShare
    /files/973238056/Fred_Neil_-_The_Sky_Is_Falling.zip
    MegaUpload
    /?d=4AZM56L2
    password: record-fiend.blogspot.com

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  2. thanks for this, Fred Neil rocks!

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  3. Nice one, Mr. Fiend. At one time I owned all of said sources and believe me they were hard to track down. I had no idea that this had been compiled. Thanks to you for being aware enough to dredge it up and share it. I guess when you're trying to find EVERYTHING you ever owned at one time and STILL search for new and exciting and old and unknown or forgotten, yer bound to miss SUMPIN'. With the great early Fred Neil 45 compilation from a couple of years ago I found and this and all the Capitol and Elektra sides.files NOW in hand, I guess I can relax.
    So what about Cyrus Faryar & Vince Martin's works? Are you familiar with Cyrus' two Elektra LPs and Vince's Capitol output? Seen THEN on CD ANYWHERE? I doubt it, but would love to be surprised. It took me YEARS to finally get the MFQ LPs on vinyl and again on MP3 files THEN I discovered the Dunhill 45s and another WB non-LP rocker. The deeper I go, the more I don't know.

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  4. Thanks, RF. Duncanmusic, one of Vince Neils Capitol LPs was released on CD by Rev-Ola a few years back. My understanding is that Rev-Ola is dead and gone, alas.

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  5. Great material, wonderful post, thanks so very much!

    Iggy

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  6. @ Derek

    Enjoy.

    * * *

    @ Duncanmusic,

    I'm glad to see that this pretty much helped complete your collection of Fred Neil recordings. So yeah, kick back, relax, and enjoy his one-of-a-kind voice that a record dealer with whom I used to do a lot of business always used to say was "as smooth as 100-year-old bourbon." I've downloaded MP3 versions of Faryar's Elektra albums and thought they were good but not up to the caliber of Neil's output. I have the CD version of Vince Martin's If the Jasmine Don't Get You the Bay Breeze Will and will try to review it here when I have the chance. I shoulda known you're a Modern Folk Quartet fan.

    * * *

    @ PopCulturist,

    My pleasure.

    * * *

    @ Anonymous,

    You're quite welcome, and I appreciate your comments. Although Rev-Ola did reissue a ton of great obscure recordings, a lot of people give them flack for apparently not paying royalties to Vince Martin and other musicians from the 1960s whose albums they re-released such as Bobby Jameson. Nonetheless, they did make a lot of great stuff available, legal issues notwithstanding. Rev-Ola ceased operations in 2010.

    * * *

    @ iggy,

    Happy listening.

    * * *

    RF

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    1. Rev-Ola did not exactly cease functioning -- the Cherry Red group of labels is still releasing CDs under that name -- but they did lost their founder/empresario Joe Foster, who has moved on to new musical ventures. In the case of the Bobby Jameson CD release, Cherry Red's position was that they licensed the material from the Ace Records group, and they in turn said that they had licensed the material from the USA group that bought out the rights to the cluster of labels that included the original USA release by Bobby. Bottom line for Bobby is that he says he never signed off on the original contract, so in his view every single release of this album is a "bootleg". After some back and forth interchanges with Ace, an check was sent to Bobby -- alas for less than $200, which Bobby took as an insult and last I heard he did not bother to cash it. (Since then he has posted many times on his own blogsite with more details and opinions that you can track down via a Google search.) The other UK label that released a CD of another LP by Bobby, Fallout, did in the end send a check to Bobby for $1000 and a box of CDs once I'd help put Bobby in touch with their boss -- mind you again Bobby felt that the label had to have reaped more profits than this amount would fairly remunerate him for his creative efforts. Such is the music biz...

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  7. Great post as usual! Many thanks for all your efforts, your blog is a true goldmine.
    Roberto from Sardinia, Italy

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  8. @ Roberto,

    High praise indeed. Much appreciated.

    RF

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  9. I wasn't aware of the existence of this collection, but I'm excited to hear the 'demos' despite your assessment that they "hardly qualify as essential." Sometimes it's the things we don't hear that make it the more interesting --- allowing us to fill in the blanks with the sounds or arrangements that we might imagine. I look forward to the trip.

    Thanks, Record Fiend.

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  10. My pleasure, Miles. Happy listening.

    RF

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